https://newyorkmusicdaily.wordpress.com/2021/06/20/mikeneer/
Lapsteel player Mike Neer‘s previous album was a reinvention of Thelonious Monk classics. His latest album Keepin’ It Real – streaming at Bandcamp – is an absolutely brilliant, occasionally unsettling mix of material imaginatively arranged for what Neer calls a “faux Hawaiian trio” of steel, bass and ukulele, all of which he plays himself. Recorded during the lockdown, it also features cameos from an allstar cast.
It wouldn’t be overhype to compare the opening number, Duke Ellington’s African Flower, to Big Lazy. Neer’s steady ukulele in the beginning is a red herring: his ominously chromatic steel lead follows a swinging quasi-bolero beat. It brings to mind a certain Brooklyn psychedelic cumbia band’s take on Erik Satie.
Nica’s Dream, a Horace Silver tune, shifts from hints of bossa nova to a jaunty swing, then clouds pass through the sonic picture, guest vibraphonist Tom Beckham adding a steady, latin-tinged solo over Neer’s uke flurries before he hits a deviously Monk-inflected steel solo.
Neer’s take of McCoy Tyner’s Passion Dance – has a jaunty, bubbling, riff-driven cheer and a series of dazzling, rapidfire Beckham solos. Melodica player Matt King adds a layer floating over Neer’s steel in their amiably pulsing bossa take of Pensativa.
An aptly furtive, stalking take of Stolen Moments features Anton Denner taking tensely bluesy flight on alto flute. West Coast Blues comes across as what could have been a Bob Wills demo, Neer contributing both a terse bass solo and a romping, irrepressible bop steel solo.
Will Bernard guests sparely, incisively, and subtly ferociously on guitar in the allusively modal, vamping Witch Hunt. Accordionist Ron Oswanski kicks off Peace with a lush intro, Neer adding warmly, sparely pastoral melody over a slow, trip-hop-like sway
Fun fact: before Neer became New York’s foremost jazz lapsteel player, he did some time as lead instrumentalist with Hawaiian swing stars the Moonlighters, an influence that obviously stuck.